Felix Silla played the recurring role of Cousin Itt in The Addams Family from 1964 to 1966. The
Italian-born actor joined Carolyn Jones, John Astin, Jackie Coogan and other
cast members on the 20th episode of the first season. Carolyn was intrigued by
the introduction of Silla's character. “What side of the family is
“it” take after?" she asked creator Charles Addams. "Both sides, I hope."
Silla, who made guest appearances in Petticoat Junction, The Monkees, Bewitched, H. R. Pufinstuf, Night
Gallery, Star Trek, The Dukes of Hazzard, and Married…with Children, also in the cast of Battlestar Galactica and Buck
Rogers in the 25th Century.
I interviewed Felix for my book, In Morticia’s Shadow: The Life & Career of Carolyn Jones, and
we discussed not only his memories of the actress behind Morticia but also what
it was like to don the unusual costume that transformed him into Cousin Itt.
James
Pylant: Do you have any special memories of working with Carolyn Jones?
Felix Silla: She was a
wonderful person, a really talented actress. We worked together, but we never
had any conversation. I was brand new to the business. It was my second film so
I didn’t really have too much to talk to her about it. But we had a lot of fun
working on the show.
JP: What do
you remember about the interaction between Carolyn and John Astin?
FS: I had
never seen such! It was beautiful, beautiful. You know, John had a lot of fun
when she was speaking French. Every time she he would kiss her arm and
things like that.
JP: When I
watched reruns of The Addams Family as
a child, what I enjoyed most of all were the episodes with Cousin Itt. Kids loved
your character.
FS: I’ll
tell you, I never thought 45 years ago that people were going to keep talking
about it. I mean, I’ve done a lot of things. I played in Buck Rogers—I played the robot.
When I say ‘I did Buck Rogers,’
they say what’s Buck Rogers? But
everybody knows The Addams Family.
JP: Tell me
about your Cousin Itt outfit. That looks like it would be awfully hot to wear.
FS: They started
out with human hair, and it was really heavy and very, very hot. Then they
realized that the human hair was too flammable. So they came in with the
synthetic material, because it was lighter and it was also not flammable. On
the set the crew would go get a cup of coffee and smoke a cigarette. So when
they’re through with the cigarette, they would just throw it in the floor and
step on it; sometimes they would miss. The director said, “If you walk around
with that thing like a mop—like you're moping the floor—you're going to hit a lit
cigarette butt and go up in flames.” That’s why they came up with synthetic
wigs. Not only that, the human hair wig was very expensive. I understand it was
like $7,000 or $8,000.
JP: Was it
hard to breathe wearing the thick human hair wig—especially under those hot
lights?
FS: It
was really hard to breathe, yes. It was very, very heavy. In those days, they
used these huge lights. I tell you, when you’re standing there in that thing—in
100 degree temperature—it’s very hot!
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